Come tax day 2014, Tachyon Publications will offer even greater horror. On April 15, it will to loose Lovecraft's Monsters upon the world. The collection celebrates Lovecraft-crafted horror with short works that play in his sandbox. H.P. Lovecraft's tales generally relate one narrator's exposure to new-discovered clues of looming supernatural threats from awful gods. This collection showcases diverse authors' depictions, from wildly different points of view, of different slices of life in a Lovecraftian community. The result is a delightful array of little pieces that range in mood and subject. Unholy sacrifice, forbidden love, a private dick on the trail of a murderer – there's something there for everyone.
The eighteen tales' breadth is sketched briefly through a few samples.
Niel Gaiman's short "Only the End of the World Again" offers traditional European horrors of folklore hunting the same world as Lovecraft's beasts and their awful worshippers. Werewolves may be the bane of man, but are they also the only thing between our world and the ascendance of unpronounceable tentacular horrors from the deep?
Laird Barron's "Bulldozer" follows a Pinkerton on the trail of a wanted man. Well, maybe not entirely a man. The salty feel of the hired gun is nothing like the prose of Lovecraft or the authors who cleaved to his style. The tale gives a feel of Deadwood while it depicts how the weird world looks, approached from the outside. Watching a normal drawn into a descent is quite a ride. There's damned, then there's damned.
Caitlín R. Kiernan's "Love is Forbidden, We Croak and Howl" gives a glimpse of love from the wrong side of the tracks – in a town where the elite aspire to consort with demons. It's a beautiful romantic sketch, made horrible as one imagines the aspirations of the town's youths. Ugh. But … a happy ugh. Come, read this, and wish good things on inhuman beasts. It's not like they don't have dreams, too.
It you're a fan of the weird, this is your book.